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Will Sharpe on ‘Amadeus,’ Lena Dunham’s Genius & His New Show With Ayo Edebiri

Will Sharpe discusses playing Mozart in STARZ’s ‘Amadeus,’ transitioning from indie rock to classical music, and his new Apple TV series, ‘Prodigies.’

Will Sharpe on ‘Amadeus,’ Lena Dunham’s Genius & His New Show With Ayo Edebiri

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Will Sharpe’s career is a symphony of versatility, much like the musical genius he portrays in STARZ’s new limited series, Amadeus. Sitting in a chic London hotel, Sharpe recounts the physical toll of playing Mozart — including a bout of ‘conducting elbow,’ a repetitive strain injury from months of arm-flailing during filming. Yet, it’s clear his passion for storytelling transcends the pain, as he discusses his projects, inspirations, and the nuances of being a British-Japanese actor in period dramas.

  • Will Sharpe stars as Mozart in STARZ’s five-part series Amadeus, grappling with the psychological and musical complexity of the iconic composer.
  • Sharpe transitions from Lena Dunham’s indie comedy Too Much to a high-stakes historical drama, showcasing his range as an actor.
  • The actor is set to debut Prodigies, an Apple TV series he wrote, directed, and stars in alongside Ayo Edebiri, further cementing his reputation as a triple threat.
  • Sharpe reflects on the challenges of portraying period-piece characters as a half-Japanese actor.
  • His background in music and comedy informs his approach to storytelling across genres.

Mozart and the Price of Genius

Sharpe’s portrayal of Mozart in Amadeus is less about historical accuracy and more about embodying the emotional tension at the heart of Peter Shaffer’s 1979 play. The series explores the poisonous envy between Mozart and Salieri, played by Paul Bettany, who questions whether Mozart’s talent is a divine gift or a cosmic punishment.

“It’s a weird one because Amadeus is so famously fictionalized,” Sharpe explains. “You’re not really playing Mozart; you’re playing the character as originally conceived in the play. Without footage or detailed records, I leaned on his music to figure out who he might’ve been emotionally.”

The role demanded physical endurance, as Sharpe spent months learning piano and conducting techniques. “I developed a new appreciation for the physicality of music,” he says, laughing about his unexpected injury. “Conducting elbow? That’s something I never thought I’d hear in my life.”

From Indie Rock to Classical Music

Before stepping into Mozart’s shoes, Sharpe was immersed in the indie music scene, playing a fictionalized version of Lena Dunham’s husband, Luis Felber, in the 2025 comedy Too Much. The transition from an indie rocker to a classical maestro was both challenging and invigorating.

“It was a strange coincidence that year,” Sharpe reflects. “I was learning Lou’s songs for Too Much, and at the same time, I was taking piano lessons for Amadeus. It felt like I was living two musical lives.”

Sharpe, who grew up playing in bands, found the return to music therapeutic. “Family life doesn’t leave much time for casual jamming, but working on Amadeus gave me an excuse to reconnect with music.”

Breaking Barriers in Period Dramas

As a British-Japanese actor, Sharpe’s casting in a historical drama raises questions about representation and authenticity in period pieces. “When I started out, I assumed period dramas were off the table for me,” he admits. “But each project is different. It’s about what makes sense for that version of the story.”

Sharpe’s nuanced approach speaks to a broader conversation about diversity in casting. “Someone asked me if my ethnicity informed my portrayal of Mozart,” he recalls. “Honestly, I was more focused on his internal world than how I looked. The goal was to honor the spirit of the character, not just the aesthetics.”

A Triple Threat in Hollywood

Beyond acting, Sharpe is a celebrated writer and director. His 2016 series Flowers, starring Olivia Colman, and his 2021 film The Electrical Life of Louis Wain, with Benedict Cumberbatch, showcase his talent for blending eccentricity with emotional depth.

Sharpe’s latest project, Prodigies, continues this tradition. Scheduled to premiere on Apple TV, the series explores the complexities of talent and ambition. “At its best, creating still feels like making short films with my friends,” he says, emphasizing the collaborative spirit that drives his work.

With his multifaceted career, Sharpe is redefining what it means to be a modern storyteller. “Whether it’s comedy, drama, or music, I’m always looking for ways to connect with people,” he says. “That’s what keeps me going.”

What This Means for You

Will Sharpe’s journey offers valuable lessons for aspiring creatives and audiences alike. His ability to navigate diverse roles and mediums demonstrates the importance of embracing versatility. For fans of historical drama, Amadeus promises a fresh, emotionally charged take on a timeless story. Meanwhile, projects like Prodigies highlight the power of original storytelling in an increasingly crowded entertainment landscape.

Sharpe’s work challenges conventional casting norms, encouraging viewers to see beyond appearances and focus on the essence of a character. This perspective is a reminder that authenticity in art transcends physical representation.

FAQs

  1. What is Amadeus about?
    The STARZ series focuses on the rivalry between Mozart and Salieri, exploring themes of envy, genius, and legacy.
  2. How did Will Sharpe prepare for the role of Mozart?
    Sharpe took piano and conducting lessons while immersing himself in Mozart’s music to capture the composer’s emotional depth.
  3. What is Prodigies?
    Prodigies is an Apple TV series written, directed, and starring Will Sharpe and Ayo Edebiri, exploring the complexities of talent and ambition.
  4. Has Will Sharpe worked on period dramas before?
    No, Amadeus marks his first on-screen period drama, challenging traditional casting norms in the genre.
  5. What are some of Sharpe’s other notable works?
    Sharpe is known for Flowers, The Electrical Life of Louis Wain, and his role in The White Lotus Season 2.

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